PG

Petition to "Ban Gender Mutilation and Chemical Castration of Minors" on CitizenGO. (U.S. residents).

CitizenGO

A rather robust article about Esther Philips, a singer whom I'm aware of, but have not listened to as often as she perhaps deserves. ...wearing a floral-print blouse and gray flannel slacks, surrounded by two dozen singers and musicians—all of them white—she stepped up to the microphone and began to sing. She casually stretched the first syllable over the beat—“Toooo-day I passed you on the street”—before sliding into the song’s familiar melody and words. “And my heart fell at your feet.” She came in low on the chorus: “Oh, I can’t help it,” she sang, sounding stunned, shaken up, “if I’m still in love with you.” The angelic voices of the Anita Kerr Singers answered her, as did a vibrato guitar and a piano playing a bluesy riff. In the second verse she sounded even more wounded, pausing before the words as if it hurt too much to go on, then pushing the melody—confidently—like a jazz singer. She knew this tune, Hank Williams’s “I Can’t Help It (If I’m Still in Love With You),” like she knew her own heart, and by the third chorus she couldn’t hold back her anguish anymore. “I just can’t—I just can’t help it if I’m still in love with you!” It was a remarkable performance, as dark and emotional as anything its haunted writer could have imagined. The musicians playing and singing around her—members of the Nashville A-Team—had backed up some soulful singers before. But they had never heard anyone like Phillips, who had so much control over her voice, who seemed to be able to do anything she wanted with it—and yet who also understood timing, using the space between the sounds to convey what she felt. When the song was over, some of the musicians set aside their instruments and applauded. “Esther, that was out of this world,” said one of them. ...the album that resulted from her Nashville sessions—eventually titled "The Country Side of Esther Phillips"—is an ignored classic, a collection of country covers that sounds as soulful and sad today as it did six decades ago. Until recently, I’d never heard of it. I’ve listened to Phillips’s music for years—her early blues and R&B, her covers of pop hits, her sophisticated jazz, her mid-seventies disco—and loved her deep, powerful voice. Yet somehow this album, which belongs in the sixties pantheon alongside the likes of Johnny Cash’s "At Folsom Prison" and Tammy Wynette’s "Stand By Your Man", escaped my attention, and that of nearly every other music fan I’ve asked about it. #WomensMusic #WomensCreativity

Texas Monthly

The R&B Singer Who Recorded the Greatest Country Album You’ve Never Heard

The First Lady of Black country is from Houston, but her name isn’t Beyoncé. It’s Esther Phillips.