πšƒπš‘πšŽ πš˜πš—πšŽπšœ πšπš‘πšŠπš πšŒπšŠπš— 𝚜𝚎𝚎 πšπš‘πšŽ πšπšŽπšŒπšŽπš™πšπš’πš˜πš— πšŠπš—πš πš›πšŽπš‹πšŽπš• πšŠπšπšŠπš’πš—πšœπš πšπš‘πšŽ πšœπš’πšœπšπšŽπš– πšŠπš›πšŽ πš—πš˜πš πšŠπš•πš πšŠπš’πšœ πšπš‘πšŽ πšπš’πš™πšŽ 𝚘𝚏 πš™πšŽπš˜πš™πš•πšŽ 𝚒𝚘𝚞 πš πš˜πšžπš•πš πšŽπš‘πš™πšŽπšŒπš. πšƒπš˜ πš‹πšŽ πšŠπš‹πš•πšŽ 𝚝𝚘 𝚜𝚎𝚎 πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πš’πš•πš•πšžπšœπš’πš˜πš— 𝚍𝚘𝚎𝚜 πš—πš˜πš πšπšŽπš™πšŽπš—πš πš˜πš— πš‘πš˜πš  πš’πš—πšπšŽπš•πš•πš’πšπšŽπš—πš πš˜πš› 𝚎𝚍𝚞𝚌𝚊𝚝𝚎𝚍 𝚒𝚘𝚞 πšŠπš›πšŽ, πš’πš πšπšŽπš™πšŽπš—πšπšœ πš˜πš— πš’πš˜πšžπš› πš•πšŽπšŸπšŽπš• 𝚘𝚏 πšŒπš˜πš—πšœπšŒπš’πš˜πšžπšœπš—πšŽπšœπšœ. πš‚πš˜πš–πšŽ 𝚘𝚏 πšπš‘πšŽ πš–πš˜πšœπš 𝚎𝚍𝚞𝚌𝚊𝚝𝚎𝚍 πš™πšŽπš˜πš™πš•πšŽ πšŒπšŠπš— πš‹πšŽ πšπš‘πšŽ πš–πš˜πšœπš πš’πš—πšπš˜πšŒπšπš›πš’πš—πšŠπšπšŽπš. πšƒπš‘πšŽπš’ πšŒπšŠπš— πš‹πšŽ 𝚜𝚘 πšœπšπšžπšŒπš” πš’πš— πš‹πšŽπš•πš’πšŽπš πšœπš’πšœπšπšŽπš–πšœ πšŠπš—πš πšπš‘πš˜πšžπšπš‘πš πš™πšŠπšπšπšŽπš›πš—πšœ πšπš‘πšŠπš πš’πšπšœ πš‘πšŠπš›πš πšπš˜πš› πšπš‘πšŽπš– 𝚝𝚘 πšŒπš‘πšŠπš—πšπšŽ πš™πšŽπš›πšœπš™πšŽπšŒπšπš’πšŸπšŽπšœ. πšƒπš‘πšŽ πš˜πš—πšŽπšœ πšπš‘πšŠπš πšŠπš›πšŽ πšœπšπšŠπš—πšπš’πš—πš πšžπš™ πšŠπš—πš πšœπš™πšŽπšŠπš”πš’πš—πš 𝚘𝚞𝚝 πšŠπš›πšŽ πšπš‘πšŽ πšŒπš˜πš—πšœπšŒπš’πš˜πšžπšœ πš™πšŽπš˜πš™πš•πšŽ, πšπš‘πšŽ πšœπšŽπš—πšœπš’πšπš’πšŸπšŽ πš˜πš—πšŽπšœ, πšπš‘πšŽ πš˜πš‹πšœπšŽπš›πšŸπšŽπš›πšœ, πšπš‘πšŽ πš’πš—πšπšžπš’πšπš’πšŸπšŽπšœ. πšƒπš‘πšŽ πš˜πš—πšŽπšœ πšπš‘πšŠπš πš›πšŽπšŠπšŒπš‘πšŽπš πšπš‘πšŠπš πš•πšŽπšŸπšŽπš• 𝚘𝚏 πšŠπš πšŠπš›πšŽπš—πšŽπšœπšœ 𝚝𝚘 πš™πšŽπš›πšŒπšŽπš’πšŸπšŽ πšŠπš—πš πšŠπšŒπš”πš—πš˜πš πš•πšŽπšπšπšŽ πšπš‘πšŽ πšœπšžπš™πš™πš›πšŽπšœπšœπš’πš˜πš— πšŠπš—πš πšŽπš—πšœπš•πšŠπšŸπšŽπš–πšŽπš—πš. πšƒπš‘πšŽπš’ πš‘πšŠπšŸπšŽ πš‹πšŽπšŒπš˜πš–πšŽ πš’πš–πš–πšžπš—πšŽ 𝚝𝚘 πš–πš’πš—πš πšŒπš˜πš—πšπš›πš˜πš• πšŠπš—πš πš–πšŠπš—πš’πš™πšžπš•πšŠπšπš’πš˜πš—. πšƒπš‘πšŽπš’ πšŠπš›πšŽ πš›πš’πšœπš”πš’πš—πš πšπš‘πšŽπš’πš› πš•πš’πšŸπšŽπšœ πšŠπš—πš πš›πšŽπš™πšžπšπšŠπšπš’πš˜πš—, πšπš‘πšŽ πš›πšŽπš•πšŠπšπš’πš˜πš—πšœπš‘πš’πš™πšœ πš πš’πšπš‘ πšπšŠπš–πš’πš•πš’ πšŠπš—πš πšπš›πš’πšŽπš—πšπšœ πš‹πš’ πš—πš˜πš πš™πšŠπš›πšπšŠπš”πš’πš—πš πšŠπš—πš πšŒπš˜πš—πšπš›πš’πš‹πšžπšπš’πš—πš 𝚝𝚘 πšπš‘πšŽ πšŠπšπšŽπš—πšπšŠ 𝚘𝚏 πšπš‘πšŽ πšœπš’πšœπšπšŽπš–. π™±πš’ πšŒπš‘πš˜πš˜πšœπš’πš—πš πšπš’πšπšπšŽπš›πšŽπš—πšπš•πš’. π™΅πš˜πš› πšπš‘πšŽπš’πš› πšπš›πšŽπšŽπšπš˜πš–. π™΅πš˜πš› πšŽπšŸπšŽπš›πš’πš˜πš—πšŽ'𝚜 πšπš›πšŽπšŽπšπš˜πš–.
| Paranoid London | Arseholes, Liars & Electronic Pioneers | Analogue anarchists with magnetic tape hiss instead of Molotov cocktails. Riot-inciting working stiffs with equipment and rave-via-punk (or punk-via-rave) constantly on the brain. On their "Arseholes, Liars and Electronic Pioneers" album, Paranoid London are vital, versatile, acid house vandals, who come close to being electronic pioneers themselves. #musicstr #tunestr
#Censorship LLM Leaderboard
The longest decade is the next four years…
You're not your job. You're not how much money you have in the bank. You're not the car you drive. You're not the contents of your wallet. You're not your fucking khakis. You're the all-singing, all-dancing crap of the world.
To #focus, you must unzoom. image