For me, the defining characteristic of open source is that you’re *giving up control* over your code. You can choose how much to give up, based on the license, but you pretty much always end up with less control than if you kept it closed source. That’s good! It’s the point. I tend to license [my open source work]( ) as public domain, which gives up as much control as possible, but that’s just me. Regardless, once you’ve given up control, it’s gone. You can re-license going forward, but not retroactively. You can’t – or at least, shouldn’t – try to claw back control later. You gave it up. That’s the whole point.
[Morpheus, *The Matrix*, 1999]( ): > > What we know for certain is that at some point in the early 21st century, all of mankind was united in celebration. We marveled at our own magnificence as we gave birth to…A.I. > 🤔
The organizations with offices here in the [Mechanics’ Institute]( ) building have some pretty wild names. [](image ) [](image ) [](image ) [](image )
Last night’s dream: I was on a TV game show where I had to search for Snoop Dogg, Tupac, and other ’90s rappers dressed in furry animal costumes, hiding in a basement. When I found one, they’d try to convince me to let them go. Nas said he was a nuclear scientist on the run from the Iranian government.
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[*Alebrijes & Nahuales*]( ), Yerba Buena, San Francisco
> > Too much Harvard, not enough Harlem. > – [Clarence Avant]( ), the “Godfather of Black Music,” [via Bobby Kotick]( )