The Night of the Glowing Sembar by Jethro Buck from the artist via their website: I bought a book called ‘The Night Life of Trees’. It’s a book full of intricate silk screen prints made by Ram Singh Urveti, Bhajju Shyam and Durga Bai of the Gond tribe in central India. Each print is accompanied by a story. Here is one of those stories: The Night of the Glowing Sembar ‘In the rainy month of July. A cowherd was looking for a lost cow along the edge of the forest. The evening grew darker, and there was no sign of the cow anywhere. The cowherd became anxious, and the little calf with him cried for her mother. Together, they wandered into the forest calling out for the cow and soon they lost their way. Night fell fast and the black clouds gathering in the sky confused the cowherd. He could do nothing but weep with the calf. A firefly saw the scene and felt pity for the two lost creatures. "Follow me," he called to them. "I think I can lead you to what you seek" And so the two walked through the dark forest, led by the lone blinking light. And all of a sudden, the cowherd saw a strange vision ahead of him. It was a Sembar tree, shining like a jewel in the blackness. On every leaf,on every branch, sat a firefly. And under the tree, Bathed in the glow, was the lost cow. So to this day, we know that good spirits live in the Sembar tree, and to this day the cowherd and the firefly are friends. And if you happen to be lost in the forest, you should find your way to the protecting Sembar, glowing like gold in the night' From the 'Night Life of Trees', Tara Books Here is my painting in response to this story. Depicted here is the moment of relief when the cow is seen safe and sound under the tree. Gouache on Paper 37x 25cm image
image
11.12.2023 title: The Complete Story of 'Lumps and Bumps' - Comme Des Garcons Spring 1997 channel: bliss foster description (partial): "Today, we're covering a conceptual triumph of fashion as a medium - Comme des Garçon's Spring 1997 show - Body Meets Dress-Dress Meets Body. This show lets us into incredibly important fashion designer Rei Kawakubo's process as an artist, as we discuss how her impact in business and culture through this crucial show. The knowledge that gained to make this video over the course of 3 years is supplied by authors on the subject whose work is listed below. We're going to go deep into why this show is the best, most important, most revolutionary fashion show of all time. Through the original runway show, as well as her collaborations adjacent to it such as with Visionaire Magazine and Merch Cunningham, we will learn how concept made its way into fashion to stay for good -almost like this is some paid online fashion school :)"
quietly reflecting on if i anticipate a time when my bio isnt a lie and no, cant forsee a time the takes out here are not ok enough to lure me into a false sense of security that these are ok waters none of you know me like that cant have access to true bio sorry wouldnt even give that shit to my ghostwriter i dont have
Seydou Keïta. Untitled, 1949–51, printed 1998. Gelatin silver print. Courtesy of The Jean Pigozzi African Art Collection. © SKPEAC/Seydou Keïta, courtesy The Jean Pigozzi Collection of African Art and Danziger Gallery, NY image