Copyright laws built for physical scarcity now wall off digital culture. 🧱💾 Glyn Moody (@npub15zu8...s7lx) explains the mechanics of these “walls” on the Future Knowledge #podcast in WALLED CULTURE, with Maria Bustillos joining the discussion. 🎧 Listen ➡️

Future Knowledge

Future Knowledge | Walled Culture

While major recording artists are sued for alleged plagiarism and most creators earn pennies for their work, media industry profits continue to soa...

#Libraries #AccessToKnowledge

If you missed our 2026 Public Domain Film Remix Contest Screening #livestream on Wednesday night, you can still catch the full celebration on YouTube! 🎬 🥇🥈🥉 Prize Winners! 🏅Honorable mentions! 🎉 And more! See it here ➡️ https://www.youtube.com/live/ol9Xc-D5U-8 #PublicDomainDay #PublicDomain #film @npub1xrj3...9q43

Announcing the Winners of the 2026 Internet Archive Public Domain Film Remix Contest! 🎬 🥇 FIRST PLACE: “Rhapsody, Reimagined” by Andrea Hale A fabulously fun use of archival footage – an aesthetic triumph. 🥈 SECOND PLACE: “Battle Lines” – Jen Zhao & Aaron Sharp Masterful editing of inspired sources. 🥉 THIRD PLACE: “Farina & The Perpetual Shine Machine” – Ralphie Wilson A thoughtful exploration of fraught history. Watch them here ➡️

21 | January | 2026 | Internet Archive Blogs

Welcome to the public domain, THE MYSTERY AT LILAC INN (1930), Nancy Drew’s fourth and final adventure of her debut year 🏨 👧 With this fourth novel now open for everyone to read, we can officially call Nancy’s 1930 inaugural cases closed. Learn more ➡️

Celebrate the Public Domain with the Internet Archive: 2026 | Internet Archive Blogs

#PublicDomainDay #CopyrightFree

🎙️Thanks to All Things Considered & NPR for highlighting the Internet Archive's 2026 Public Domain Film Remix Contest! 🎧 Listen to the item on #NPR here ⤵️ https://www.npr.org/player/embed/nx-s1-5677702/nx-s1-9618889 #publicdomain #publicdomainday #publicradio

Before the Hays Code slammed the door, Hollywood told bolder stories. Morocco (1930), now in the public domain, preserves a fleeting vision of a Hollywood before the hammer of the censor fell. Learn why pre-Code films still matter ⤵️

In Praise of Pre-Hays: “Morocco” and the Public Domain | Internet Archive Blogs