Selbstbildnis mit Studienkollegin, 1889 #Käthe_Kollwitz #kathe_kollwitz #selfportrait #self_portrait #art #sketch

Octavi Arrizabalaga, “La Renncia (Resignation)”, Hand-pulled 8-color screen print on Somerset velvet newsprint grey 250 gr. acid free 100% cotton paper, 27x19in (2021) #art #printmaking source: instagram[dot]com/p/DSOaa8pkUcd/

#turner #selfportrait #oilpainting #painting A close-up of this painting:

Self-Portrait (Turner) - Wikipedia

#photography #landscape #art source: instagram[dot]com/wanderingcowgirl/

Evan Abrahamson source: instagram[dot]com/p/DG6JPsIvKyw/

Ollie Le Brocq source: instagram[dot]com/ollielebrocqart/

Man Ray (American, Philadelphia, Pennsylvania 1890–1976 Paris), "Marchesa Luisa Casati," ca. 1922, Gelatin silver print. © Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris 2025. #photography #portraiture #portrait #art Man Ray’s portrait of Marchesa Luisa Casati is emblematic of the transitional period between Dada and Surrealism, the experimental mouvement flou-flou (“blurry” or “out of focus”). The effect wasn’t intentional. A short circuit in the studio lights and Casati’s refusal to stay still blurred the image—an accident she adored, insisting it “portrayed her soul.” See this and more in “Man Ray: When Objects Dream,” on view through February 1, tracing his radical innovations across the 1910s and 1920s.

Sir Frank Brangwyn "Market scene, Jaffa," 1890 #art #painting #artstr